Creative Applications Network [CAN]
- Secret Rhythms – Artificiel’s Three Pieces with Titles, November 24th, 2017
- Designing the Computational Image, Imagining Computational Design – An Excavation of Digital Form, November 21st, 2017
- Sight + Sound 2017 – A Spectrum of Non-Compliant Futures, November 1st, 2017
- Music of the Spheres – A Conversation with Dan Tapper, October 13th, 2017
- Anatomy of a Screen – Jeremy Rotsztain’s House of Shadow Silence, October 4th, 2017
- Dread Bass – AUDINT’s alternate timelines reverberate with fear and death, August 16th, 2017
- What Algorithms Want – Reflecting on (Human) Agency in an Age of Automation, August 10th, 2017
- Inside the Artist’s Headset – Sterling Crispin’s Cyber Paint, July 24th, 2017
- Disobedient Electronics: Protest – the revolution will run on a microcontroller, July 13th, 2017
- (Un)natural Phenomena – Daria Jelonek’s Technological Nature, July 2nd, 2017
- Poetry in Motion – St Marie φ Walker’s Reflective Sculptures, June 14th, 2017
- Queer Game Studies – an Alternative Lens for Reading Videogames, June 6th, 2017
- Figure and Ground – exonemo’s HEAVY BODY PAINT, April 26th, 2017
- Delineation & Decay – Laleh Mehran’s Entropic System, April 11th, 2017
- Enjoy the Silence – Doug Wheeler’s PSAD Synthetic Desert III, March 30th, 2017
- Myths, Rumours, Legends – Machine Art in the Twentieth Century, March 28th, 2017
- Unhanded – A symposium about ‘making’ under the influence of digitalism, March 22nd, 2017
- Seaquence – Growin’ groove in a Petri dish, March 14th, 2017
- Design I/O’s Mimic – Putting emotional machines within arm’s reach, March 7th, 2017
- Trickle Down Aesthetics – Cellular Automata in recent works by Troika, February 28th, 2017
- Everything old is new again – DiMoDA, a ‘digital native’ platform for digital art, February 24th, 2017
- DOBOTONE – VIDEOGAMO’s parametric party machine, February 22nd, 2017
- Dead Media – Mathilde Lavenne’s Artefact#0, Digital Necrophony, February 14th, 2017
- A Personalised Spin Cycle – Project EVA’s Object of the Internet, February 7th, 2017
- Sinuous Flow, Gelatinous Form – Paul Prudence’s Mylar Topology, February 3rd, 2017
- Performing Pedagogy – A Conversation with Ruairi Glynn, January 31st, 2017
- Untethered – Voice-Driven VR Serial Drama, January 17th, 2017
- CAN 2016 – Highlights and Favourites, December 23rd, 2016
- Assembly Language – Jesse Colin Jackson’s Marching Cubes, December 14th, 2016
- Turning Data Around – OCR Journal #002, December 9th, 2016
- Hidden in Plain Sight – Julian Oliver’s Stealth Cell Tower, November 2nd, 2016
- After Urban Screens – Dave Colangelo on Massive Media, September 26th, 2016
- Building Towards a Point of Always Building – Digital Design Theory, August 26th, 2016
- Playin’ the Pavement – Daily tous les jours’ Mesa Musical Shadows, July 12th, 2016
- Too Much Information – Keiichi Matsuda’s vision for augmented and mixed reality, June 7th, 2016
- Art after Silicon Valley – A conversation with the Gray Area Foundation for the Arts team, April 13th, 2016
- Flippaper – Player-sketched pinball, April 5th, 2016
- When the Machine Made Art – Grant Taylor traces the origins of computational creativity, March 31st, 2016
- Light, Space, Rhythm – A conversation with Florence To, March 24th, 2016
- Line Wobbler – A one-dimensional dungeon crawler, March 23rd, 2016
- A P P A R E L – Clothing in the age of data accumulation and machine learning, February 10th, 2016
- Perspection – Anamorphic image and sound synthesis across multiple screens, October 27th, 2015
- Slinging Beats with Darsha Hewitt – A Side Man 5000 Interview, October 21st, 2015
- Poème Mécanique – A subtle and cascading sound sculpture encircles Montréal, October 14th, 2015
- Abstract Ecologies – A Conversation with Amber Christensen, September 22nd, 2015
- Considering Technology and the State of the Art(s) at Sónar+D, June 29th, 2015
- Broken Sound – Gary James Joynes Contemplates Silence and Fragility, June 25th, 2015
- In Theory and in Practice – Audiovisual Performance at MUTEK 2015, June 11th, 2015
- CLOUDS – Code, Creativity, and Immersion, June 3rd, 2015
- Flashing Forward at ELEKTRA 16, May 26th, 2015
- Drone Aviaries & Field Guides – A Conversation with Superflux, May 20th, 2015
- 32-bit Noir – Michael Trommer’s Transmissions from the Technological Sublime, March 31st, 2015
- A Wilderness Most Luminous – The Making of Micah Scott’s Forest, March 26th, 2015
- Retrobroadcasting the Future of Warfare – Julian Oliver’s Crystal Line, March 13th, 2015
- Rethinking Art & Machine – A Conversation with Marla Wasser, February 26th, 2015
- Deep Lab, Deep Dive – Book Sprint at the STUDIO for Creative Inquiry, January 13th, 2015
- Convergence, An ‘Art + Technology’ Summit at The Banff Centre, December 8th, 2014
- Technology Gets Personal at FITC Wearables, November 20th, 2014
- Superposition—5.84 Quintillion Facets of the Digital Sublime, October 16th, 2014
- The State of Play—TIFF’s digiPlaySpace, October 9th, 2014
- A/Visions, Synesthetic Fever Dreams—A Report on EM15, June 17th, 2014
- The Obverse Box – Deru fuses sound, light, and artifact, May 12th, 2014
- Cadence – Tori Foster’s Eternal Rush Hour, April 25th, 2014
- It Only Happens All of the Time – Sonic Environment by Jacqueline Kiyomi Gordon, April 22nd, 2014
- Compasses for Wayfinding – Dunne & Raby’s “Speculative Everything”, March 17th, 2014
- Delineating the Future – an interview with N O R M A L S, December 6th, 2013
- Speculative cartography & programmed landscapes – a chat with Benedikt Groß, October 11th, 2013
- Landscape Futures – an interview with Geoff Manaugh, September 12th, 2013
- Sonification and the (re-)performance of data – an interview with Brian House, July 12th, 2013
- Talking Poetry and Pedagogy with the SFPC Team, July 1st, 2013
- The Chime – Marc De Pape Scores The City, June 17th, 2013
- Taking the ‘street’ out of street photography – Every Face in The Americans, May 28th, 2013
- Elektra 2013 – Meditations on Anti/Matter, May 17th, 2013
- A Figurine for the Ages – Matthew Plummer-Fernandez’s Venus of Google, May 13th, 2013
- Making it Real – Call for 3D Objects, March 29th, 2013
- Shedding Light on Squidsoup – A Conversation with Anthony Rowe, February 27th, 2013
- Vector – Toronto’s Game+Art Convergence, February 18th, 2013
- Important Portraits – Jeremy Bailey Kickstarts a Solo Exhibition, January 24th, 2013
- The Cloud Machine – A Personalized Weather Modification Prototype, January 11th, 2013
- “Generative Design” – A Computational Design Guidebook, December 19th, 2012
- Game On! LA Game Space Levels Up, November 30th, 2012
- Stephen Cornford takes an obsolete media format for a spin, November 26th, 2012
- “Make It So” – A Compendium of Science Fiction Interfaces, November 6th, 2012
- ETA 2012 – A Branding Singularity, October 25th, 2012
- Facebook Demetricator – The Unquantified Self, October 22nd, 2012
- OARN 2012 – The Shape of AR to Come, October 10th, 2012
- Anatomy of a Series – Santiago Ortiz's Lostalgic, October 1st, 2012
- Commute as Composition – Brian House’s Forty-eight to Sixteen, September 24th, 2012
- Aspect Ratio Array – Rafaël Rozendaal’s Popular Screen Sizes, September 18th, 2012
- (General indifference towards) The Digital Divide, September 7th, 2012
- UP: San Francisco – Call for Urban Prototyping Projects, August 13th, 2012
- Constructed Land – 65,000 Variations on a Theme, August 8th, 2012
- Unpacking the CineChamber – Naut Humon on Nomadic AV Performance, August 2nd, 2012
- Zef & Santo – 3D Real-Time Performance, Workflow and Collaboration, July 20th, 2012
- Drone as Metaphor – Interview with artist/director Alex Rivera, July 11th, 2012
- Beyond the Pixel Sculpture – V2_’s New Aesthetic, New Anxieties, July 4th, 2012
- Eyeo 2012 – Afterthoughts and asides, June 27th, 2012
- Fragments in Space – Olivier Ratsi’s White Roads in the Red Matrix, June 18th, 2012
- Just another day at the lab: MUTEK A/Visions 2012, June 14th, 2012
- A Colour Field Point of No Return – Matthew Biederman’s Event Horizon, May 24th, 2012
- The Variable City – François Quévillon’s Dérive, May 18th, 2012
- Electrostatic Bell Choir & Feedback Babies – Recent work by Darsha Hewitt, May 15th, 2012
- I’ve seen the future, I can’t afford it – Jim Munroe’s “Ghosts With Shit Jobs”, May 11th, 2012
- Interactivos?’12 Dublin: Hack the City (Call for Proposals), April 27th, 2012
- Z/Z/Z/ – Archiving film, animation and videogame image analysis, April 24th, 2012
- Livehoods – Use-Based Urban Analytics, April 16th, 2012
- Yung Jake gets played out because you e.m-bed.de/d, April 2nd, 2012
- “The Glitch Moment(um)” by Rosa Menkman, March 22nd, 2012
- Invisible Airs – A Short Documentary on YoHa, March 5th, 2012
- BKME.ORG – A Web Platform for Reclaiming Bike Lanes, March 5th, 2012
- The Transparency Grenade by Julian Oliver – Design Fiction for Leaking Data, February 24th, 2012
- Bear 71 Review, February 7th, 2012
- Best Friends, January 27th, 2012
- Screensaver, Revisited, January 17th, 2012
- “How to Do Things with Videogames” by Ian Bogost, January 13th, 2012
- Paul Prudence Interviews Mitchell Whitelaw, January 9th, 2012
- Crackle Canvas, January 3rd, 2012
- Architecture in your Hand, September 9th, 2011
- Action Painting Redux, September 7th, 2011
- Mediated Cityscapes 03: DIY Cartography, August 2nd, 2011
- Avouching A/Visions at MUTEK 2011, June 20th, 2011
- Concentrated Geographies, May 19th, 2011
- The Psychoeconomy War Room Table, May 16th, 2011
- Mediated Cityscapes 02: Memory and the City, April 7th, 2011
- Mediated Cityscapes 01: Four Statements About Urban Computing, January 29th, 2011